Bandsman Dawson stood proudly in the scorching heat of Pooha, India
In 1922, Bandsman Dawson stood proudly in the scorching heat of Pooha, India. His khaki uniform, complete with the kilt of his regiment, marked him as a soldier of the Highland regiments. Dawson's youthful face, a blend of determination and curiosity, gave little away from the experiences he had already lived through in his brief military career.
Born to a humble Scottish family, Dawson grew up surrounded by the sound of bagpipes and the tales of his father’s regiment. Music was in his blood, and he followed in his family's footsteps, but in a different capacity—as a bandsman. The military wasn't just a calling for war, but for tradition, honour, and, in Dawson's case, the rhythm of life itself.
India in the 1920s was a world far removed from the highlands of Scotland. The heat, the colours, and the people all felt like a dream—surreal but tangible. Pooha was no exception. This small cantonment was nestled in the vastness of the Indian plains, where British troops were stationed as part of the colonial forces. While many soldiers found it to be a world of hardship, Dawson embraced the new experience with a musician’s eye. He found melodies in the calls of the local street vendors, rhythms in the chants of the local temples, and harmony in the hum of life around him.
However, the duty of a bandsman wasn’t always to entertain. Bandsmen like Dawson were often stretcher-bearers during wartime. He had learned, during the Great War, how to shift between the sombre task of carrying the wounded and the uplifting role of playing morale-boosting tunes. The memories of battle were never far from him, but the heat and the exotic strangeness of India provided some solace, something different from the muddy trenches of Europe.
As the regiment prepared for a ceremonial inspection by high-ranking officials, Dawson’s role was crucial. His bagpipes would echo across the parade ground, marking the solemnity and grandeur of the occasion. But Dawson wasn’t just preparing for the parade; his heart longed for a deeper understanding of the music of the land he found himself in. He had begun to experiment with local scales, incorporating them into the tunes of his homeland, creating a fusion that he hoped would one day be heard far beyond the walls of Pooha.
India left its mark on Dawson, just as he left his mark on the regiment. Stories were told of the bandsman who could blend Scottish bagpipe tunes with the music of India, a reminder that, even in the most foreign lands, there could be harmony.

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